Spring’s Labour’s Lost Reminiscences

Jamie “Tragic Flantern” Doe and I went on what you could call a tour if you ignored the inconvenient gaps between the dates, the fact that we didn’t travel together, the lack of roadies, and the quality, tone, and size of the shows. Haphazardly, we navigated the length of England seeking an audience in six different towns. In some of them, we found one.

2013-05-09 19.31.03

I originally wrote this journal entry as a blow by blow series of reminiscences from each of the shows we played, tempered with exciting “behind the scenes” stories (most of them about Jamie’s “jokes”) to excite the modern reader. But I’ve now deleted that in favour of this more free-form account. In part, this is because I think it makes for better reading, but it’s mostly because I have absolutely no desire to be forced by the format of this post into talking about the Birmingham show or recalling it in any way.

So let’s talk about London, where Jamie and I found ourselves sound technicians for an evening in a basement in King’s Cross, sidling back up to Angel where overpriced chips accompanied our frenzied religious and political debates into the wee hours. I turfed Jamie out of his own bed because of a grandfather clock and our supporting act turned up just as we were getting ready to perform without him. Or we could talk about Oxford, where our show was a warm-up to the May Morning festivities which followed (I’m visible on the BBC News for slightly less than a second). We bumped into an old supervisor of mine and I didn’t notice, possibly because I was in a Jamie-induced Jazz trance.

2013-04-30 18.50.07

In Newcastle, we had an entire cinema to use as a green room – and a cinema which fed us and had its own ping pong table. Piped through an antiquated and home-built sound system, Jamie had cause to regret using the word ‘wench’. I got to duet with Ditte Elly, which was a joyous experience, and the next day I headed off for breakfast and a beach with some locals in order to console myself about Jamie’s early departure. There was a cat, taxis were affordable, the metro system had stolen its logo from Morrison’s, and we stayed up late into the night talking about the Olympics and house prices (we’re adults now).

2013-05-04 22.35.38

Then we skated to the south west. In Falmouth I climbed a lot of stairs to play an open mic night with Rosie Caldecott – we met a guy with a fine moustache whose girlfriend used the same brand of pen as me. I saw the local aquarium and found a pub which sold books, then the next morning I found myself in a leisure centre swimming pool at 8:30, which was unexpected, and then drank an instant hot chocolate whilst picking wildflowers and looking at rain coming in off the ocean.

2013-05-09 09.35.16

Skip arrived to fish and chips, soul and jazz sessions in an attic bedroom, and, at last, a venue with a harbour view. We had a midnight encounter with an albino rat called Paris, France. Then it was off up to Bristol, where an amazing thali lunch proved ample restorative after the experience of trying to get tickets out of a ticket machine in Truro (still reverberating through my karmic essence hours later). Stokes Croft looked worrying in the rain but some old friends turned out, the crowd was lovely, and the tour ended with warmth – especially after the acquisition of a (second) curry.

Here’s what we learned:
1) Outside London, open off-licences are hard to find late at night.
2) Trains are extremely expensive.
3) Our friends and fans are a talented, warm, intelligent diaspora whom it’s an absolute pleasure to know.
4) Even at its lowest ebb, this is a charmed occupation, and we’re lucky to get to be doing it.

2013-05-10 20.57.09

Announcements

I’ve had to cancel a previously-announced appearance with MC Lars in London next week, but I’ll still be onstage with him in Leicester this coming Thursday, and it promises to be a real corker!

2013-05-15 15.57.08Lars has been a constant source of friendship and inspiration to me these last seven years, and being on a bill with him is the greatest honour! There’s going to be a lot of Edgar Allan Poe love on this tour, as the poster indicates (check out his new EP on the subject), so do come down if you possibly can. It’ll be mad fun. Tickets, available here, are £9/8.

In other news, I’m selling my Fender Stratocaster. It was my first guitar and I love it very much, but it doesn’t get played these days and I want it to have a home where it will be used and loved! It certainly deserves one. If you fancy it, here’s the gumtree ad. And here’s what the instrument looks like:

2013-05-18 11.11.17

 

In which I am judged by my own typos

So I have this new phone. It’s my first smartphone, and one of the great things about being a late adopter is that for effectively no money (the thing came on the same contract as my previous Nokia Brick) you get to experience with a sense of childish wonder and glee developments which other people are now totally jaded by. “Look”, I keep saying to my friends, “the screen knows when I’m tilting it around”. And my friends roll their eyes in their tolerant way, and return their attentions to the grilled cheeses that their iPhone 7s are busily cooking for them.

Samsung-Galaxy-S3-mini-thumb_contentfullwidth

Actually, I soon disabled the clever rotator screen on the basis that it made reading in bed impossible without constantly moving my neck in a slow, painful parabola. And I turned off the battery-conserving feature which deactivated the backlight when I wasn’t looking at it, too, on the perfectly sound basis that it freaked me out to have a device which knew when I was looking at it. But one technological ultra-feature which I’ve been trying to embrace is the digital technology keyboard, because I found typing on the one which came with the phone a little bit cumbersome after a decade on the olde buttone presse.

SwiftKey is a downloadable “app” (remember when they were called “programs”?) that learns your typing habits and adjusts itself accordingly. Because it’s not enough simply to have a keyboard these days, it needs to know you personally! Unfortunately, what mine seems to have learnt about me is that I do typos all the time, and it seamlessly replicates these, stomping through my carefully expressed prose to decapitalise proper nouns and remove apostrophes in ways noticeable only just after I press ‘send’ on something. But it has another, even more annoying feature: it scans your gmail and facebook accounts, and then constructs an idea of the word you’re most likely to use next at any given moment. This means that every typo it makes on your behalf is an implicit reflection of your character rather than simply a mistake: the notion of the Freudian slip just gained a worrying new potential penis, I mean validity.

So I rebelled, and decided to JUST press the first word it recommended each time, thus finding out (a) how the mechanics of the program worked, and (b) what kind of guy it really thought I was. I didn’t give it any starting letters, just pressed the top recommendation each time. Let fly:

I am a beautiful person to person who is the best bit of a crowd of the most important thing is that tied to the destiny machine plotline it makes me feel like a new bowel

Although this isn’t something I’d ever say, I do think it captures a certain me-ness. I like the way it moves from the sublime to the ridiculous, which is, I suspect, my style. And I imagine that “destiny machine plotline” is something I’ve probably said at least twice. But I’m troubled that it went to “bowel” so quickly – I feel like I’m better than that. And the arrogance of “best bit of a crowd” is quite unlike me.

Or is it, I hear my phone sneer at me from behind its polished sheen. Has it reached through my endless gmail to unravel the mysteries of my soul? Will I, personally, soon be an unnecessary adjunct of its predictive capability? And why does it get so many Game of Thrones proper nouns right whilst being unable to cope with adding possessive suffixes to dictionary words?

-

It bears mentioning that I actually like the SwiftKey software very much indeed, and despite the frustrations documented here it’s definitely better than the default keyboard on the Galaxy SIII. This is partly because of the far smoother interface, but it’s mostly because it keeps stats, and I love anything that adds stats to real life because I’m an enormous dickhead. I’ve dragged my finger over nearly a kilometre of touchscreen keyboard since downloading two weeks ago! How unbelievably depressing!

(Although the stats also claim to have ‘corrected’ 1,431 typos – a figure which presumably includes all the correct words it changes back into the names of unpopular British Trees as soon as I’m not looking. Don’t give yourself credit for that, SwiftKey!)

Spring’s Labours Lost

wills poster_smIt’s my enormous pleasure to formally announce the Spring’s Labours Lost tour, which sees Mr. Jamie “The Magic Lantern” Doe and myself bouncing around the country playing shows in pubs, bars, bookshops, and cinemas. The shows are small, intimate, largely unplugged, and highly informal, largely to maximise the opportunity to road-test new material. We’re linking up along the way with some of our favourite acts including Rosie Caldecott and Matt Sage! And there may be a few additions to the programme as we go on.

Alice MacDonald from Falmouth Arts did our poster, which I’m sure you’ll agree is breathtaking. So take a breath, note down which show is nearest to you, and get yourself along to it!

26th April – London - Harrison’s Bar - Tickets here!
29th April – Birmingham - The Lamp Tavern
30th April – Oxford - Albion Beatnik (with Matt Sage)
4th May – Newcastle-upon-Tyne - Star and Shadow Cinema
9th May – Falmouth - The Grapes (with Rosie Caldecott)
10th May – Bristol - Café Kino (with Two White Cranes)

 

Live Set

Last month, I played a short set for the lovely Sofar Oxford, who taped the whole thing and have now sent it to me for YOU to enjoy!

I make quite a few mistakes in this, and it’s the first public performance of two songs (2 and 5) so things are a bit sketchy, but it’s a nice little record of the mood of a FaceOmeter live set, and a memento of a really fun evening. Ditte Elly sings backing vocals on track 4. The setlist is:

Stuffed Animals
Pirate Mariachi
Summerhouse
Child of Monkey Horse!
Unwillingness to Dance

New Dates

Guys, it’s my pleasure to announce a bunch of new shows. After a moderately dormant period it’s going to be really nice to stretch my wings and play you all some new (and old) material! If there’s a show near you, I hope you’ll come out! Or, come and see the show!

20th April – OxfordOld Fire Station
(as part of the Oxford Folk Weekend)

Then, on tour with The Magic Lantern (pictured below):

26th April – LondonHarrison’s Bar - Tickets here!
29th April – BirminghamThe Lamp Tavern
30th April – OxfordAlbion Beatnik (with Matt Sage)
4th May – Newcastle-upon-TyneStar and Shadow Cinema
9th May – FalmouthThe Grapes (with Rosie Caldecott)
10th May – BristolCafé Kino (with Two White Cranes)

IMG_0471

NB. We are still hunting for shows for this tour, especially in the north around that May 4th Newcastle date, or in the Southwest between the 6th and 8th! If you know anywhere you’d like us to play – including your living room – then get in touch with faceometer at gmail dot com!

And not forgetting, later in May, two special shows:

24th May – Leicester – The Soundhouse (with MC Lars)
28th May – London – Surya (with MC Lars)

There are some extremely exciting shows here, potentially – but it’s audiences, not dates and venues, which make shows great. So come and be part of one of them!

In which I visit Oxford

I sidled down to Oxford lately to delve into the library in search for the hand-feeler-tentacled lizard of Cutcliffe Hyne (1898):

lizard

But I also found time to hang out with Matt Winkworth, the cat-headed multi-coloured lamp God of East Oxford:

cat winkworth

I was fortunate to be in his ad hoc choir, recording a few of his theatrical numbers for a demo which you can already listen to here:

It was an amazing experience singing for Matt, who’s a consummate MD but a clear inferior to yours truly in the realm of Mario Kart. Thursday, I was steering the Catweazle Club for the second week in a row, and was overjoyed by the talented performers and listeners who braved Siberian temperatures to warm up our corner of the East Oxford Community Centre.

Yesterday evening, I concluded my Oxford interlude by visiting what I hesitate to call Team Caldecott’s annual-ish Music Box gig. I think I’ve raved about Ditte Elly on here before, but you really do need to listen to her if you haven’t already:

Here is a nice picture of her and Rosie being excellent.

rosie ditte

The next morning, which was this morning for those of you not keeping track, we all went out for a lovely breakfast together, except that these two didn’t bloody turn up. So it was left to James Bell and Laura and Luke and Phoebe and I to drink infinite tea and speak pleasantly of the world and Game of Thrones and politics and Game of Thrones and religion and Game of Thrones.

Happy times.

Dancin’ on the Night Train

I decided to release the video I threw together for ‘Silent Shrove (Dancin’ on the Night Train)’ a few months ago. Please do share it around if you like it!

The song is based on a tune that The Dapper Swindler and I came up with for a Silent Movie we made last year. The story it tells is completely true. The video combines elements of the story and the movie with footage of my last few weeks in London, which the song is also about, really.

That’s why it’s the leading track on Last Days in the Capital, a 4-song record which, I politely remind you, can be purchased for a miserable £2. The download includes this video as well as a whole bunch of other stuff!

Lit Hop Invasion!

It’s a great pleasure to announce two new shows in May – I’ll be supporting MC Lars on his Lit Hop invasion tour of the UK. I couldn’t commit to join the whole tour, but I’m playing the last two dates and I hope you can make it to them!

May 24th – The Soundhouse, Leicester
May 28th – Surya, London

More details on the shows page! Those of you who don’t know MC Lars, he’s a fantastic hip hop artist and literature graduate who I toured with back in 2009 and who I’ve been doing some recording work with this year. He’s a real talent, and if you like my music you’ll definitely like his, too. Check him out, and come to our shows!

I’ve been away with Sam Taplin in the wilds of Shropshire again. Less video madness this time, but I can tell you that it was an extremely stressful time in the course of which we had absolutely no fun whatsoever:

2013-03-20 15.06.11_sm

A slightly larger update (and some more show dates) coming soon!