As a cop-out for tonight’s cancelled Hallowe’en show (sorry, everyone!) and the fact that you probably won’t be seeing the new record until tomorrow now (sorry, everyone!), here’s a new stupid FaceOmeter video you haven’t seen before! I actually filmed this about two years ago but forgot it existed before I got round to editing it. One can only imagine what other glorious projects have fallen by the wayside in this fashion. Anyway, none of them can be better than this, that’s for sure.
If you like tea then this tech is for you! And by the way, those of you who think this is just a “joke” or “comedy” video, this method does genuinely work, so blaze.
The end of every creative endeavour is a faltering mewl of fits and starts, with the exact moment of completion unidentifiable amidst a haze of administrivia, hype, last-minute revision, and disappointment. Was Last Days in the Capital complete when I wrote the last word of the last song, a few months back? Was it complete when we finished the fourth of our three recording sessions on it in early October? Is it complete today, the day we ran everything through mastering through the last time, administered the Peug tests, and started uploading files to Bandcamp? Or will it be complete when I press the ‘release’ button – it’s frighteningly abstract and disconnected, doing a digital release – in a few days’ time?
Perhaps it will only really be out when the material on it has seen a little live action, and it’s certainly going to be great to have something new to sell on the merch table at the numerous upcoming shows around England I have lined up! I played the first Hallowe’en show with TT&J last week in glorious Pangbourne, and I think we all had a riot of a time. Playing live is certainly the most fun part of what I do – for me, at least: I had a chat with Matt “Catweazle” Sage a while back in which he confessed that he vastly prefers recording, the sensation of being able to get everything right. Not me! It’s been far too long since a good whale of a show, far too long in studios and libraries putting stuff together. Well, now there’s a new record to flog, and plenty of shows to flog it at, and plenty of new material to play at the shows, and plenty of awesome other acts on the bill too! It’s going to be a blast and you simply have to come!
If you live in Oxford or Birmingham, we’re doing two shows in each of those places, and there’s also stuff happening in Falmouth, Exeter, Bristol, and London! Even if you live in the very centre of Dartmoor itself there’s no excuse, for we play in the tiny village of Gidleigh on Nov 10th! Visit the shows page for more details!
Taplin, Tattersdill, and Jones’s first live appearance since- well, since last Hallowe’en will be tonight at Pangbourne’s Hall of Sound, three quid in! As previously announced, is the first of three special Spooky shows, the other two being in Birmingham (31st October at the Yardbird) and Oxford (3rd November at the Isis tavern).
With The Spooky EP, released a year ago, we wanted to reclaim Hallowe’en a little bit from the ‘Sexy Nurse’ outfits and the cardboard hats and write something that conveyed the same sense of carnivalesque whilst also being a tiny bit more thoughtful and sincere. You will judge whether we achieved our aims by coming to the above shows, or by watching the following amusing video, reposted from last year:
Hard to believe it’s been a year since I put a record out! But there’s a consolation prize: this digital scrapbook EP, incorporating three new songs with a whole bunch of videos, pictures, and words, downloadable in a neat and highly affordable package, and released at the end of the month.
Last Days in the Capital is a digital-only release because although it centres around recordings of brand new songs, to wit:
1. Silent Shrove (Dancin’ on the Night Train)
2. Monkey Horses in Strange Climes
3. Settling Out
…there’s also going to be a bunch of other stuff that an audio CD could not give you:
I’ve just returned from yet another interlude at the homestead of the Dapper Swindler, whose Hackney Mansion has been the centre of our social network for many a year now. The end is near for Palais du Crackque, with its denizens all planning imminent moves across the breadth of East London – and this is sad, because we’ve had many a good time there – this video from a few years back documents a typical evening there:
Anyway, my own involvement in PdCqk has only ever been ephemeral. I’ve never lived there, even for a month – although I’m pretty much the only person I know who hasn’t, and I can claim some entitlement through my association with the symbolic mog Pockets Penrose (subject of the Poivrons song ‘Our Cat is Fundamental’), whom I had to look after for a few weeks earlier this year when the ceiling collapsed.
Exhausted from my return trip, I don’t have the inclination just at the moment to launch into the sustained flow of sentimentality which regular readers are probably expecting from me. But I will say that I’m delighted that this was one of my last visits, because in a sense it was a totally platonic one: there was homely cooking in front of Bargain Hunt, the cat wasn’t being a prick for once, the weather was nice, the people in Local Supermarket gave us free sushi, the Dapper Swindler let me wear his French pantaloons, we did about twenty jillion crosswords, there was midnight vindaloo at one point, we had a really productive recording session, and we watched Father Ted while the D.S. did a terrible watercolour of me as a deranged pirate. Plus I somehow got a few days’ work done in amongst all of that.
Perfect, and typical of the Hackney experience that it would draw to a close on such a keynote. Onwards.
After two years in the gigging doldrums, I’m really excited by these dates (and the Hallowe’en ones detailed previously) – really looking forward to being on the road! Hope very much to see or meet you out there!
I can confirm that in addition to Taplin, Tattersdill, and Jones, of whom I am one, you will also be able to see: Matt Winkworth and the Winkworthers Originals (whom I rate), The Embellishments (a musical collective including the beautiful Rosie Caldecott), and the dance group AfroFusion, about whom I know nothing, but I assume they’re fantastic! It’s an expensive in, but the ticket price includes sparklers and drink, and I understand there’ll also be a bonfire (to which you are invited to bring a Guy).
I’m slowly starting to roll out this website’s exciting new features, which now include a gigs page. MOREOVER! It’s a gigs page with some gigs on it! That’s right, this Hallowe’en Taplin, Tattersdill, and Jones are reuniting to bring the Spooky EP to audiences in Pangbourne, Birmingham, and Oxford! Here are the dates: