Of Hatstands

The project I’ve been working on for a few weeks is slowly coming to fruition, and I’d like to introduce the world to Hatstand.

hatstand color try2There have been two great influences in my life: the Catweazle Club and the city of Birmingham. I bore the socks off everyone I meet singing the praises of these things, but there’s a problem: Catweazle isn’t in Birmingham. Sick of racking up miles on the M40, I’ve decided to start a performance arts night with similar values three minutes’ walk from my front door, blending my two core interests.

Catweazle has taught me so much, and regulars will anticipate the main features: unamplified, no advance booking, performers enter for free. But Hatstand is not simply a duplication of the Catweazle formula, for this city is unique and requires individual treatment. We’re going to have a pop-up art gallery for visual artists with prints to sell. We’re going to have two intervals instead of one (edgy). We’re going to be based in a garden centre intead of a community centre (super edgy). We are going, I very much hope, to have an actual hatstand (I just lost consciousness).

This is the second night I’ve set up, and I know what the big challenges are. We need a good mix of music and spoken word; a strong communuity of regulars as well as high visibility for passing traffic; and we need an amazing audience who delight in and respect a huge range of talent. Most troublesomely of all, we need all that quickly – nights like this thrive or fail in the first year, and a monthly show only has twelve chances to get it right.

I hope you can be part of those attempts! Whether you’re a Brummie or at a distance, if you find yourself free on the first Monday of the month, starting this December, we need you. We had a trial run this Sunday at the Moseley Folk Festival, which went down a treat – we got Bohdan Piasecki down, Katherine Priddy was there, James Bell came all the way from Oxford to inaugurate, and there were loads besides! We camped out in the old tennis hut while the bassbins of the big stage outside boomed away and we performed songs and poetry for each other – it felt like the start of something new, but also timeless and comfortable, like coming home at the end of a long night.

Perhaps I’m overdoing this. My point is, we’re ten minutes old and we’ve already done a stage at Moseley Folk. We mean business! You’ll hear me yammering away about this loads over the next few months, but don’t wait for that – get your diary out now. Nights like this are the audience, nothing else. We need you. 7th December 2015. 8pm.

Check out the website! It has parallax scrolling so I look modern and cool and I used the guys who are always advertising on This American Life which by the transit of properties means that Ira Glass will personally attend every single Hatstand evening

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